2021 IGF nominees: exploding with delight

And so we come to the end of another review post run. I have naturally saved my favorites for last.

As I said up top, this year was about delightful games. And that's a personal reaction! This post is not about flawless games, or universally loved games. It's about games that I played through with a big goofy grin on my face because they made me happy. You may feel differently. You may say "But that game utterly failed to do what I want!" That's fine. Just recognize that it did something, and it did it with a whole and joyful heart.

(Okay, A Monster's Expedition is flawless and universally loved. I don't make the rules, nor the exceptions that prove them.)

• Lost Words: Beyond the Page
• Blaseball
• Genesis Noir
• Umurangi Generation

And while I'm here, a few titles that I already wrote up. But this is the exploding-with-delight post, by gum, and I can't not mention these:

• A Monster's Expedition
• Cloudpunk
• NUTS
• Paradise Killer

And thus I close. Plenty of games I haven't talked about. Spiritfarer, OMORI, There Is No Game, Signs of the Sojourner are obvious omissions -- sorry! I have not yet played Chicory, Teardown, Bugsnax, Welcome to Elk, or many others. Ynglet and Moncage look like they'll be awesome when they're out. Jeez, I didn't even mention Kristallijn.

Plus, I just got my second Pfizer dose. I should probably get this posted before the fever comes on.

Here's hoping for a better summer and fall. Yow -- if things go well, IGF 2022 judging could start again this October! I better rest up.

2021 IGF nominees: tiny adventures

A bit of a mix here. These aren't classic adventure games, but they're not the abstracted explorations that I call "story devices" either. I'd say the common strain is the old Flash adventure genre -- the weird little narrative worlds like Submachine. Of course there are plenty of other influences too. That's just the fuzzy center that I gathered this group around.

• The Flower Collectors
• HoloVista
• The White Door
• When the Past Was Around
• Mirages of Winter
• In Other Waters

(Note: I was on the narrative jury and played a free review copy of Mirages of Winter. I bought the others myself -- mostly last fall.)

2021 IGF nominees: puzzle time

Puzzle games and narrative games have a natural tendency to collide. I mean, yes, all genres want to hybridize these days, but the original "adventure game" was puzzle-narrative before anybody thought to disentangle the two. Besides, your narrative wants pacing -- that's puzzles -- and your puzzle game wants some kind of push-pull beyond "see the next room".

All of which is just to say that even though these are narrative game reviews, I also play a lot of puzzle games. I'll list some notable ones here. Not gonna be long reviews, and anyhow I've written some of these up before.

• A Monster's Expedition
• A Fold Apart
• Carto
• Shady Part of Me
• Creaks
• Lightmatter

(Note: I was on the narrative jury. I bought and played all of these games before IGF judging started, though.)

2021 IGF nominees: story devices

Sometimes I say "interactive storybook"; sometimes I say "story device". Usually textual (except when it's wordless). No model world or explorable map. Focus is on direct interactions with the text, or the story, or an abstract puzzly interface that makes no sense (until it does). What can I say, it's a "know it when I see it" category.

My comments in this post came out pretty mixed; I wasn't entirely into this year's story devices. This doesn't mean I was unhappy to see them, though! This is a relatively fluid sub-genre. There's more scope for exploration of form than there is in, say, parser IF. So it's always fun to see what people are going to do with it.

• unmemory
• Utility for the Soul
• Arrog
• Stilstand
• LOVE - A Puzzle Box Filled with Stories

(Note: I was on the narrative jury and played free review copies of these games.)

2021 IGF nominees: visual-novel-like-likes

And now some games in the visual novel orbit. Or outside it.

• Neo Cab
• Across the Grooves
• Haven
• Pendragon

I think "visual novel" is going down the same road that "interactive fiction" and "roguelike" have travelled over the past several years. On the one hand, they're enormously influential genres. On the other hand, that influence plays out in a lot of ways; maybe not ways that old-school VN fans would consider important.

Are we talking about visual novels as design tropes? (Dialogue-centric, no map or model world.) Or UI elements? (Talking heads over that dialogue.) What about themes? (Character-heavy with romance.) Art style? (Anime.) What about when those elements get hybridized into other genres? (Everyone talks about Hades, but is Disco Elysium also VN-inspired?) (Some recently asked me if Disco Elysium was an example of "choice-based interactive fiction", to which I had to say yes, pretty much...)

It's the same situation that led to the hairsplitting of "roguelike", "roguelite", "roguelike-like"... not that that clarified much. Ultimately it's up to the fans to decide where the center of gravity lies. Visual novels aren't my home turf, so I'll just throw some titles into this blog post and hope.

(Note: I was on the narrative jury and played free review copies of Across the Grooves and Haven. I bought Pendragon and Neo Cab myself.)

2021 IGF nominees: cosmic horror and not-horror

Today's batch of games are Lovecraftian horror. Or games which are reacting to Lovecraftian horror. Or games which are Lovecraftian, but not horror. Or vice versa. Turns out there's a lot more room for experimentation than ol' HPL ever considered.

• Call of the Sea
• Transient
• Paradise Killer

Also, it turns out I already wrote this post! I bought and played all of these games over the winter.

Read reviews here: Four (or five) recent Lovecraftians (January 2021)

(That post also covers Old Gods Rising and Moons of Madness, which were not IGF entrants.)

Don't worry, I'll be back with new reviews tomorrow.

2021 IGF nominees: stunning environments

The IGF finalists have just been announced. Usually this happens in January, so that the winners can be revealed at GDC. Guess what, this year is different! Again! But here we are.

Last year, I wrote:

2019 was a heck of a game year, folks. There were so many brilliant narrative games rolling around jostling for attention like fuzzy puppies in a sandbox.

You know what? Even more this year.

They're not easy to talk about, though. Not like last year. What happened in narrative gaming in 2019? Heaven's Vault, that's what happened. State of the art: vaporized.

2020 wasn't about new frontiers in narrative technology. It was about games that were delightful. In lots of ways. Often in flawed ways! You're going to see a lot of comments about "what's wrong with this game" or "why I had trouble with that game". Or even "this game wasn't for me." But the theme of 2020 was, a game can be janky or fiddly or underimplemented or frustrating -- and still be a delight to play. If the creator wanted to do something and did the hell out of it, that shines through.

As usual, I'm going to group these games in rough categories. I'm not ordering them from best to worst (or vice versa) -- it's just games that seem to go together. Also, despite the post titles, I'm not limiting myself to nominees and honorable mentions! Any IGF entry is fair game.

(Necessary footnote: I was on the narrative jury and played free review copies of Beyond Blue, Nuts, and Mundaun. I bought Cloudpunk last year. I played South of the Circle in a free trial month of Apple Arcade.) (My second free trial month; I dunno how that works.)

---

In this first post: a batch of games whose environments just blew me away. They don't necessarily have the most intricate gameplay -- although some of them pull some fascinating tricks! But if the ambience pulls me in, I'm sold.

• Beyond Blue
• Cloudpunk
• NUTS
• Mundaun
• South of the Circle