Not goodbye forever, or even for the rest of the year. But it's Halloween; it's been damp and grey all day; and I just returned from the annual Somerville Anti-Morris Dance. Feels like putting the sun to bed.
I spent the first half of October dealing with the remaining major puzzles -- the ones outside the starship. Naturally, this was more work than I expected (it's always more work than you expected) but I got it hammered out.
Then, on to the map! This was more than just adding rooms -- it's about positioning objects and clues.
I've long had a list of important puzzle elements, and a sense of where they appear in the storyline: these in chapter one, those in chapter two, that one behind locked door X, and so on. But most of them weren't actually present on the map. So for the past week, I've been going through the storyline, chapter by chapter, and marking down locations for absolutely everything.
This task is still in progress. I've gotten the first two chapters nailed down. "Out of how many chapters?" you ask! Well, that depends how you count. There are four major plot stages, which I've been calling "chapters", but I suspect that they won't appear as such in the final game. The player will see significant breaks, but perhaps not the same division points. Maybe six of them?
That's not a useful statistic. Here's a better one: 60% of the magic words, 40% of the recipes, and 95% of the physical objects are now located on the map. (Yes, all that stuff appears in the first two chapters. These include many common items which will be reused throughout the game. The later chapters introduce rarer and more powerful items -- thus, by definition, fewer of them. Hadean Lands is front-loaded with toys; that's just how it came out.)
The map grew ten new rooms in the process. This was expected; I've always had a vague scribble off to the north marked "crew quarters, more stuff". That's now filled in. Bonus: I've sketched out the first two chapters in my PlotEx constraint tool, so I know the game is solvable that far. I haven't put a key behind the door it unlocks, or anything dumb like that.
The down side: I haven't implemented these new rooms, or the bits of paper with all those magic words and alchemical recipes. They're still just notes in my files. And of course I have two chapters (40% of the words, 60% of the recipes) still to go. So November's work is laid out for me.
As you know, tomorrow is the third anniversary of this Kickstarter's launch -- and the third anniversary of its funding goal, since your generosity cleared that on day one. I never anticipated this long a road, and it's not done yet. But we're moving along. I appreciate your patience.
If I may indulge in hindsight: a year ago, my update post was all about the goal-shortcut system... which was partially done, but included no puzzle goals yet. And I was getting ready to start implementing the map.
Two years ago I was staring at a huge stack of disparate puzzle and story ideas with a panicked expression on my face.
So, while I'm not thrilled with my progress rate, I don't think I need to be ashamed either.
Enough of my self-regard. More IF news:
I will be attending the Practice conference at NYU in mid-November. I'm not speaking, but Emily Short is. Should be a fun weekend.
The People's Republic of Interactive Fiction now has a twitter account. If you're in the Boston area (or are generally interested) follow away.
Finally, a bare-faced plea! As you may be aware, Cyan Worlds has launched a Kickstarter: Obduction. This will be their first major new game since Myst 5 in 2005. They have set a high goal -- over a megabuck -- and they are currently about 60% of the way there.
As you know, I'm a big Myst fan. I want to see Obduction get made. It's not Myst-related, and that's good: this is Cyan's chance to break away from the long decline of Myst Online, and start something fresh.
The Kickstarter is cranking pretty well, for the mid-project trough period. I'd still like to see it closer to the goal before the frenetic final weekend hits. So: please consider a donation. If you glanced at the Kickstarter when it launched, it's worth reading the updates; Cyan has added a measured dose of detail about the game's background and storyline. Also: Oculus Rift stretch goal.
And now I must digest Halloween candy and get over the sugar rush. Next month.
Comments imported from Gameshelf
Andrew Plotkin (Nov 1, 2013 at 11:34 AM):
...I should admit that I expect the Oculus Rift to be a massive flop; it will not improve the sales of any game. Developers may keep supporting it if it's zero-effort, but it'll be a footnote.
Jay LaPorte (Nov 7, 2013 at 12:28 PM):
I agree on that front, though I think it'll be one of those glorious flops that the people who love it really, really love it.
The Oculus Rift (and, indeed, HDTVs, surround sound systems, and perhaps all video games?) are billed as a way of giving us experiences that we couldn't otherwise have; but these means of conveyance seem to be and inefficient way of going about it. One of the interviewees of Get Lamp (Richard Bartle, I think?) said well that our experiences transcend the senses, because they are part of the mind—therefore, it's better to speak directly to the mind rather than to the senses. (Naturally, human language seems to have evolved as a means to do exactly that.) As such, I find text and (especially) speech to be the most effective ways of going about it.
These days I seem to spend more time in roleplaying games than in video games for perhaps that very reason, though I watch the recent experimentation I've seen in building compelling computer actors (with simulated emotions, goals, etc.) with interest. Sadly, I've yet to see such an experiment that was effective, but I bet someone will find the way eventually.